
Supporting such mighty creations,
stretching from one shore to another,
connecting,
Oh, Gravity.s

Supporting such mighty creations,
stretching from one shore to another,
connecting,
Oh, Gravity.s

Two Worlds,
Part of One,
Symbiotic,
Alien

And what a lovely rock to sit on.

Trunks, massive, pushing upwards,
Straight, to infinity,
Piercing,
Powerful.
A contrast, mesmerising,
A Juxtaposition of man and nature;
Metaphorical?

Movement and light
caught in shadow
ever changing
That Sun.

Invoking a Cold-War future: A world decimated by nuclear war. Habiation now only exists in purpose built domes, a delicate balance of life and population.
—
Actually the biome at welsh botanical gardens.. slightly less apocalyptic. http://www.gardenofwales.org.uk/

In amongst the fauna, metallic and cold, constructed not grown ; inorganic and organic. Asthetically symbiotic.

Terrain akin to mountain ranges;
Vast;
Enter a world: the source of us: A Leaf;
Cells, formed and specialised for photosynthesis;
Absorbing light;
Creating Life.

Thirty Three Thousand, Seven Hundred and Ninety.
33 790
“Thirty Three Thousand, Seven Hundred and Ninety Eight by Marion Kalmus is a two storey inverted cone of glassy sheets, which makes it appear that the core of the building is constructed from moving water and light. Its simple beauty presents a stark warning to us all – etched onto the glass is the number (33,798) of plant species threatened by extinction in the year 2000.” NBGW

Door decoration & mouldings
#research

Mugs.
Banal, dull. Everyday life. Nothing to them. These things, objects, we drink out of. Function; container to hold liquid. Simplistic.
But these. Their very purpose disposed of. Rearranged and transformed. The slight imperfections, marks, stamps alluding to another thing entirely.
They’ve been… edited..

The right side. The sculpture, The Focal Point. The asthetic. A memorial, a tribute to lives lost.
Those Memories.

Steel supports, ribs, constructed for one purpose but used as another. The Holes – purposeful?

Reflected; Layers, exposures, movement and people. Realities and dimensions. Mirrors.
That lone cyclist.

Derelict, Abandoned. Unused. Forgotten.
Random, and slightly amusing.
That Chair.